Theater, Dance, and Performance Studies
The program in Theater, Dance, and Performance Studies (TDPS) explores the dynamic nature and multivalent possibilities of performance as an interdisciplinary field. TDPS operates at the intersection of theory and practice, training students to engage with multiple forms of performance in traditional theatrical contexts as well as through broader ways of thinking and being in society. Accordingly, the program is divided between courses in performance practice (practicum) and courses with a focus in theoretical, historical, cultural, social, and literary approaches (theory). TDPS conceives of performance expansively, valuing broad connections over narrow specialization.
Students will learn to communicate effectively in speech, writing, and embodied practice, to collaborate effectively with others, and to apply their skills in critical analysis to both the production and the consumption of the performances that surround us. The program is broadly interdisciplinary, involving faculty with many differing areas of expertise and preparing students for collaborative endeavors in many fields after graduation, including but not limited to careers in the performing arts.
TDPS takes advantage of the vibrant performing arts resources in the greater Sarasota community such as Urbanite Theatre, Westcoast Black Theatre Troupe, Asolo Repertory Theatre, Florida Studio Theatre, The Players Centre for Performing Arts, Sarasota Contemporary Dance Company, Kuumba Dancers and Drummers, Sarasota Ballet, and Sarasota Opera, amongst others. Practicum courses are taught by artists and scholars who are active in their fields and affiliated with professional theater and dance companies, including the acting faculty at the FSU Asolo Conservatory. Student internships with professional companies are available in many areas of theater, dance, arts management, and education. Students also have the opportunity to take performance courses at other Sarasota area colleges through the Cross College Alliance.
Core Faculty in Theater, Dance, and Performance Studies
April Flakne, Professor of Philosophy
Nova Myhill, Professor of English and Theater, Dance, and Performance Studies/Director of Theater, Dance, and Performance Studies
Hesam Sharifian, Assistant Professor in Theater and Performance Studies
Queen Zabriskie, Associate Professor of Sociology (On Leave)
Affiliated Faculty in Theater, Dance, and Performance Studies
Katherine Brion, Associate Professor of Art History
Maribeth Clark, Professor of Music
Aron Edidin, Professor of Philosophy
T. J. H. McCarthy, Professor of Medieval History
Amy Reid, Professor of French and Gender Studies (On Leave)
Carl Shaw, Professor of Classics
Wendy Sutherland, Professor of German and Black European and Diaspora Studies
Jing Zhang, Associate Professor of Chinese Language and Culture/Director of International and Area Studies
Practicum Specialists
(These faculty members focus on practical aspects of technical theater, acting, directing, and dance. They have no research responsibilities and do not sponsor theses)
Tim D. O’Donnell, Instructor of Theatre
Leymis Wilmott, Dance Instructor and Artist In Residence
Adjunct Affiliates
Tania Arazi Coambs, Adjunct Assistant Professor of Theater, Dance, and Performance Studies
Travis Ray, Adjunct Assistant Professor of Theater, Dance, and Performance Studies
Summer Dawn Wallace, Adjunct Assistant Professor of Theater, Dance, and Performance Studies
Requirements for the AOC in Theater, Dance, and Performance Studies
A minimum of twelve (12) academic units.
| Code | Title |
|---|---|
| Introduction to Performance Studies | |
| Select one from the following examples: | |
| THE 2549 | Introduction to Performance Studies |
| Theoretical, Historical, Cultural, Social, or Literary Approaches | |
| Select five full credit courses or tutorials in at least three different disciplines, including at least two at the intermediate or advanced level. All eligible courses carry the TDPS or TDPS Eligible Attribute; some examples include: | |
| LITR 2090 | Ancient Greek Drama* |
| EUH 2181 | The Sixth Liberal Art: Music, Ritual and Performance in the Middle Ages and Renaissance |
| THE 2303 | Play Analysis |
| ARH 2470 | Art Since 1945: Modernity, Postmodernity, and Contemporaneity |
| MUSC 2190 | Opera, Ballet, and the Supernatural |
| ENL 3161 | Performing Gender, Class, and Identity in Early Modern Drama |
| LITR 2150 | Theater and Society* |
| Practicum | |
| Select five full credit courses or tutorials, including at least one each in Acting, Dance, and Technical Theater; one in Advanced Acting, Directing, Choreography, or Design; and one additional elective: | |
Acting | |
Select one; examples include: | |
| TPP 1110 | Acting I |
| TDPS 3750 | |
Dance | |
Select one; examples include: | |
| DAA 2573 | Tap/Jazz Dance & Performance |
| TDPS 2150 | Dance Sampler: Introduction to a Variety of Embodied Practices* |
| TDPS 2300 | Ballet I |
| DAA 2100 | Contemporary Dance & Performance |
| TDPS 2340 | Afro-Modern Dance* |
Technical Theater | |
Select one; examples include: | |
| TPA 2000 | Basics of Theater Production |
| TPA 2283 | Technical Theatre Production: |
| Advanced Practicum (Acting, Directing, Choreography, or Design) | |
| Select one; examples include: | |
| TDPS 3720 | Voice and Speech for the Actor |
| TDPS 3200 | Directing I |
| TDPS 3550 | Modern Dance and Performance |
| TDPS 2060 | Theatrical Costuming: Design and Construction |
Additional Practicum Elective | |
One additional course in any of the above categories. | |
| Credit-Bearing Internship | |
| One internship with a professional or community performance organization | |
| Additional Requirements | |
| Senior Thesis in Theater, Dance, and Performance Studies, and a Baccalaureate Exam. The thesis must include a written component and may also include a performance component. | |
Requirements for the Joint AOC in Theater, Dance, and Performance Studies
A minimum of eight (8) academic units.
| Code | Title |
|---|---|
| Theoretical, Historical, Cultural, Social, or Literary Approaches | |
Select four full credit courses or tutorials in at least two different disciplines, including at least one at the intermediate or advanced level; some examples include: 1 | |
| THE 2549 | Introduction to Performance Studies |
| LITR 2090 | Ancient Greek Drama* |
| ENL 3161 | Performing Gender, Class, and Identity in Early Modern Drama |
| THE 2303 | Play Analysis |
| MUSC 2190 | Opera, Ballet, and the Supernatural |
| LITR 2150 | Theater and Society* |
| Practicum | |
| Select four full credit courses or tutorials, including at least one each in two of the fields of Acting, Dance, and Technical Theater and one advanced practicum in any field. See full AOC requirements (listed above) for examples. | |
| Additional Requirements | |
| Senior Thesis with significant component engaging with Theater, Dance, and Performance Studies, and Baccalaureate Exam | |
- 1
Introduction to Performance Studies is strongly recommended.
Representative Senior Theses in Theater, Dance, and Performance Studies
- Artful Ambitions: Integrating Arts Entrepreneurship into Childhood Dance Training
- Production Managing Carrie: The Musical
- Gaston's Chair: An Exploration of Disney Nostalgia and Falsified Memories Through Props
- The "Thing" About Bodies: Accessing the Grotesque Body through Carnival Puppets
- Cloud 10: An Exploration of Immersive Theatre's Many Benefits and the Process of Creating My Own Cafe
- The Cardinal: Independent Filmmaking During a Pandemic
- The Story I Tell, the Self I Create; Understanding Transnational Indian Identity Through a Kaleidoscope of Lenses: Literature, Theatre, and Ethnography
- "Waiting for Something to Happen?" Creating Fear and Unease Through Video Game Music and Sound Design